The revitalized "Resident Evil" cinematic adaptation is on track for a remarkable debut at the box office, signaling a new chapter for the franchise. Industry forecasts indicate an opening weekend haul of approximately $40 million, with some optimistic projections suggesting figures closer to $50 million. This comes as the horror-survival video game adaptation, helmed by writer-director Zach Cregger, prepares to launch in roughly 3,500 theaters across North America. The film's robust critical reception, highlighted by a 96% approval score on Rotten Tomatoes, positions it as a potential record-breaker for the long-running series.
Sony Pictures is distributing this highly anticipated movie, which carries a production budget of $75 million. The positive buzz and escalating interest among audiences suggest that the film could surpass previous box office performances within the "Resident Evil" universe. Historically, the franchise has collectively generated over $1.2 billion globally, and this reboot is set to establish a new benchmark for its opening weekend success.
The cast features Austin Abrams, Zach Cherry, Kali Reis, and Paul Walter Hauser. Abrams takes on the role of a medical courier tasked with transporting a crucial item amidst a devastating viral outbreak in the fictional Raccoon City. This project continues a successful run for Cregger, whose recent work includes the Oscar-winning horror feature "Weapons" and the acclaimed "Barbarian," both of which have cemented his reputation in the horror genre.
This iteration marks a fresh start for the film series, which draws its inspiration from Capcom's renowned video game franchise that first emerged in 1996. The initial live-action movie, directed by Paul W.S. Anderson in 2002 and starring Milla Jovovich, achieved a domestic opening of $17.7 million and eventually exceeded $100 million worldwide. Jovovich subsequently led five sequels, but a 2021 reboot attempt, "Resident Evil: Welcome to Raccoon City," starring Kaya Scodelario, did not meet commercial expectations. The current film aims to redefine the series' cinematic legacy.
Critics have largely lauded Cregger's vision for the new "Resident Evil." Frank Scheck, a film critic for The Hollywood Reporter, commended the director for crafting "a propulsive, simultaneously terrifying and hilarious thrill ride that showcases both his cinematic chops and perverse sense of humor." Cregger himself expressed confidence in the film's appeal at its Los Angeles premiere, stating, "I've seen the movie, and I like it."
The film's strong performance is expected to invigorate the early fall box office, contrasting with the previous period which saw "Practical Magic 2" take the top spot with a more modest debut, ending the six-week reign of Sony's "Spider-Man: Brand New Day." Earlier this week, the Tom Holland-led Spider-Man film had ascended to the top of the all-time domestic chart, surpassing "Star Wars: Episode VII — The Force Awakens." Additionally, GKIDS is releasing the stop-motion animated sequel "Shaun the Sheep: The Beast of Mossy Bottom" in wide release this weekend.
The latest installment of "Resident Evil" is poised to inject significant energy into the current cinematic landscape, delivering both critical and commercial triumphs for the enduring franchise. With its compelling narrative, talented cast, and a fresh directorial approach, the film is set to captivate audiences and establish a new high-water mark for the series' theatrical openings, reaffirming its place in popular culture.
Social media luminaries Dom Brack, Blake Hooker, and Hunter Rowland are set to take on leading roles in Brilliance Productions' upcoming mystery feature, "The Anchor In Us." The film, currently in post-production, is slated for introduction to buyers at the American Film Market, aiming for a 2027 festival circuit debut. It centers on a college reunion gone awry after the discovery of a body, unraveling a web of secrets and strained relationships.
Jonathan Bailey and Bill Nighy are set to lead the cast of 'Insomniac City,' a film adaptation of Bill Hayes' memoir detailing his romance with neurologist Oliver Sacks. Directed by Dominic Cooke, the movie will explore Hayes' move to New York, his unexpected love for the city, and his transformative relationship with Sacks during the neurologist's final years. The project is being introduced to international buyers at the American Film Market.
Pop superstar Pink has revealed a nine-date residency at the revolutionary Sphere venue in Las Vegas, scheduled for 2027. This engagement marks a significant milestone as she becomes the first female solo artist to headline the cutting-edge entertainment complex since its grand opening in 2023. The artist expressed immense excitement, stating that this long-anticipated project will finally give her a consistent performance home, inviting fans to experience her spectacular show in a unique setting.
Skydance CEO David Ellison has commented on the recent executive restructuring at DC Studios, which saw James Gunn and Peter Safran depart as co-CEOs and chairmen. Ellison expressed his enthusiasm for Jeremy Latcham, a former Marvel Cinematic Universe executive, who will now take the helm as president and chief creative officer. Latcham is expected to lead DC's future content development across film, television, and animation.
The American Film Market's 47th iteration, held from November 10-15, 2026, highlights a period of significant change within the independent film sector. Despite challenges posed by evolving industry models, consolidation, and shifting audience preferences, the market showcases a diverse array of buzzed-about projects. From star-studded features to international genre films, animation, and thought-provoking dramas, these selections reflect innovative approaches to financing, production, and distribution, seeking to connect with audiences in a dynamic cinematic landscape.
James Gunn has publicly shared his thoughts following his departure as co-head of DC Studios, a role he shared with Peter Safran for four years. In a candid statement, Gunn acknowledged the highs of the position, including successful reboots and collaborations, but also detailed the significant personal and professional challenges he faced due to the demanding and corporate nature of the job, expressing a desire to return to pure filmmaking.