"Julián", the latest offering from the renowned Irish animation studio Cartoon Saloon, is a captivating and emotionally resonant film that skillfully explores themes of identity, cultural heritage, and acceptance through the eyes of a young, imaginative protagonist. This adaptation of Jessica Love's celebrated children's book, "Julián Is a Mermaid," stands out for its vibrant animation and its authentic portrayal of a Dominican American boy's journey to self-discovery, all while fostering a tender intergenerational relationship.
In a charming animated feature released on September 16, 2026, by Cartoon Saloon, a spirited seven-year-old Dominican American boy named Julián, voiced by Knyght Darius Jack, embarks on a transformative journey. The film, adapted from Jessica Love's acclaimed book "Julián Is a Mermaid," takes place in the bustling, culturally rich borough of Brooklyn. Julián's arrival at his grandmother Carmela's house, portrayed with warmth and nuance by Milcania Diaz-Rojas, marks a pivotal moment. His father gently advises Carmela that Julián is a distinctive child, implying a need for understanding and flexibility. Indeed, Julián's vibrant imagination, often manifesting as vivid visions of sea creatures, remains unburdened by societal norms concerning gender expression, a theme subtly explored yet powerfully conveyed through his uninhibited enjoyment of colorful attire and jewelry. Carmela, an immigrant from the Dominican Republic who holds deep affection for her homeland, initially presents a firm demeanor. However, she gradually opens her heart to Julián's fascination with the ocean and mermaids. This newfound connection blossoms as Julián encounters a group of neighborhood girls who introduce him to the magical Coney Island Mermaid Parade. Inspired, he embarks on creating his own mermaid costume, a project that becomes a symbol of his burgeoning identity. Directed by Louise Bagnall, with co-directors Guillaume Lorin and Mark Mullery, the film deviates from Love's original illustrations with a more exaggerated, brighter, and more saturated color palette. This stylistic choice effectively enhances Julián's fantastical aquatic visions, drawing parallels to Hayao Miyazaki's "Ponyo" with its fluid water movements and a prominent appearance by the Orisha deity Yemayá. The authenticity of the narrative is further cemented by the casting of Diaz-Rojas, whose bilingual performance seamlessly weaves English and Spanish, highlighting Carmela's enduring connection to her Dominican roots. Juliany Taveras, a non-binary, queer, Afro/Indigenous Dominican American New Yorker, penned the screenplay, ensuring a deeply personal and culturally resonant portrayal of the story's multifaceted identities. The film subtly challenges stereotypes of Latino households, showcasing Carmela's evolved understanding and willingness to compromise rather than imposing strict traditions. While Julián's flamboyant expressions occasionally encounter external judgments, particularly from Carmela's gossiping acquaintances and other boys, his unwavering refusal to conform ultimately becomes a powerful message of self-acceptance. His journey culminates not in changing who he is, but in a profound expansion of his identity, intertwined with a newfound appreciation for his rich Dominican heritage.
"Julián" serves as a powerful reminder of the importance of embracing individuality and fostering understanding across generations and cultures. It underscores that true acceptance often involves a willingness to challenge ingrained perspectives and celebrate the unique brilliance of each person. The film beautifully illustrates that the greatest strength lies not in conforming, but in authentically expressing oneself, allowing one's true colors to shine. This heartwarming narrative encourages us to look beyond superficial differences and embrace the rich tapestry of human experience, proving that even the most whimsical dreams can lead to profound self-realization.
Cartoon Saloon's latest animated film, 'Julián,' adapts Jessica Love's acclaimed children's book. The story follows Julián, a mermaid-loving Dominican American boy in Brooklyn, as he navigates new cultural experiences and finds acceptance for his unique identity, supported by his immigrant grandmother. The film explores themes of gender expression and intergenerational understanding with vibrant animation and cultural authenticity.
John Abraham has commenced principal photography on 'Guru,' a new psychological thriller directed by Ribhu Dasgupta. The film, also starring Danish Pandor, Arif Zakaria, and Kitu Gidwani, delves into themes of memory and reality as Abraham's character grapples with unsettling events and a distorted perception of his own life. Dasgupta, known for his work in the thriller genre, expressed excitement about the script's depth and challenge, while Abraham was drawn to the story's inherent uncertainty and intriguing layers.
Netflix's Creative Asia initiative, in collaboration with the Busan International Film Festival, is returning for its third year on October 10th. The program will feature a panel discussion on artificial intelligence in filmmaking with industry leaders like Peter Jackson's Weta FX, alongside workshops and masterclasses designed to empower emerging Asian creators.
The 31st Busan International Film Festival (BIFF) has officially announced the distinguished members of its jury for the BIFF Mecenat, Sonje, Netpac, and Fipresci Awards. These awards recognize excellence in documentary, short film, and artistic achievement, bringing together acclaimed filmmakers, scholars, and industry professionals from around the globe to evaluate the cinematic landscape of Asia.
Zach Cregger's latest film, 'Resident Evil,' premiered to a wave of positive social media reactions, with attendees praising its intense horror, humor, and faithful adaptation of game aesthetics. The movie, which marks Sony's second reimagining of the popular video game franchise, features Austin Abrams in a leading role and is set to release globally on September 18 after screenings at The United Theater and Fantastic Fest.
Cate Blanchett will attend the 39th Tokyo International Film Festival for the Japan premiere of five short films supported by the Displacement Film Fund. Co-founded by Blanchett, the fund aids displaced filmmakers in telling authentic stories of migration and resilience. This initiative highlights the power of cinema in fostering connection and understanding amidst global displacement. Blanchett will also participate in a Q&A with two of the directors, further emphasizing the importance of diverse cinematic voices.